Faculty:Faculty of Arts, Humanities and Social Sciences
School:Cambridge School of Creative Industries
Areas of Expertise: Film, media and communication studies
Courses taught: Film, Media and Communication
Tina Kendall is a film & media scholar who has written widely on affect, violence, and extreme cinema spectatorship. Her more recent work focuses on boredom in contemporary networked media.
View Tina's profile on Academia.edu
Email: [email protected]
Tina Kendall holds a PhD in French Studies from the University of California, Davis. Her work in contemporary film & media studies is informed by critical and media theory, affect theory, and continental philosophy. She has a particular interest in 'negative' or 'minor' affects, including boredom and disgust. She has published widely on the ethics and aesthetics of extreme cinema, and is the co-editor of The New Extremism in Cinema: From France to Europe.
Her most recent research project focuses on boredom and the attention economy of networked media. As part of this research, Dr Kendall worked with the Chelmsford Young Creatives and the British Science Association on The Boredom Project, which explored young peoples’ experiences of boredom during the 2020 Covid-19 lockdowns in the UK.
Tina Kendall has supervised PhD projects on a range of topics in film & media, including: the politics & aesthetics of contemporary art cinema; contemporary French horror cinema; 'dark undercurrents' in stop motion animation; depression in cinema, and others.
She particularly welcomes proposals in the following areas:
Tina teaches on the following modules:
Kendall, T. 2021. 'From Binge-Watching to Binge-Scrolling: TikTok and the Rhythms of #LockdownLife' Film Quarterly 75.1: pp. 41-46
Kendall, T., 2019. '(Not) Doing it for the Vine: #Boredom Vine Videos and the Biopolitics of Gesture'. Necsus: European Journal of Media Studies Autumn 2019.
Horeck, T., Jenner, M., Kendall, T., 2018. 'On Binge-Watching: Nine Critical Propositions'. Critical Studies in Television, 13.4: pp. 499-504.
Kendall, T., 2018. 'BOREDWITHMEG': Gendered Boredom and Networked Media. New Formations: A Journal of Culture/Theory/Politics, 93, pp. 80-100.
Kendall, T., 2016. 'The Aesthetics and Ethics of Snuff in the Films of the New Extremism'. In: Jackson, N., Kimber, S., Walker, J, Watson, T. (Eds.), 2016. Snuff: Real Death and Screen Media (London: Bloomsbury).
Kendall, T. (Ed.), 2016. In Focus: Cinematic Speed. Cinema Journal, 55(2).
Kendall, T., 2016. Nyan Cat: Nothing Happens, Longer, Again. MediaCommons: In Media Res, 'Speed', 22 February 2016.
Horeck, T., Kendall, T., 2014. Extreme Memes: O-Faces, Paper Bags, and the Paratexts of Nymph()maniac. MediaCommons: In Media Res, 'Extreme Cinema', 6 May 2014.
Horeck, T., Kendall, T., 2014. Idiot Media: The Culture of NekNomination Videos. MediaCommons: In Media Res, 'Circulating Pain', 2 April 2014.
Kendall, T., 2013. 'No God But Cinema': Bruno Dumont’s Hadewijch. Contemporary French & Francophone Studies, 17(4), pp. 405-413.
Kendall, T., 2013. 'Cinematic Affect and the Ethics of Waste'. New Cinemas: Journal of Contemporary Film, 10(1), pp. 45-61.
Horeck, T., Kendall, T., 2013. The New Extremisms: Re-Thinking Extreme Cinema. Cinephile, 8(2), pp. 7-9.
Kendall, T., 2012. 'The Still Life: DVD Stills Galleries and the Digital Uncanny'. In: Hubner, L. and Allen, S. (Eds.). Framing Film: Cinema and the Visual Arts. London: Intellect, pp. 113-126.
Kendall, T. (Ed.), 2012. 'Tarrying with Disgust'. Special issue of Film-Philosophy, 15(1).
Horeck, T., Kendall, T. (Eds.), 2011. The New Extremism in Cinema: From France to Europe (Edinburgh: Edinburgh University Press).
Kendall, T., 2010. 'The "In-Between of Things": Intermediality in Ratcatcher'. New Review of Film and Television Studies, 8(2), pp. 179-197.