Farzaneh Yazdandoost is a Lecturer in Critical and Contextual Studies and a scholar in Animation Studies, specialising in stop-motion puppet animation, materiality, and realism. Her research explores animation, performance, and medium specificity. She has published research on animation and performance, as well as medium specificity in animation.
Farzaneh Yazdandoost is an animation scholar and video essayist specialising in stop-motion puppet animation and film criticism. Her research interests include medium specificity, materiality, and the interrelationship between realism, imperfection, and accident in the creative process.
As a video essayist, she is interested in the ways in which films draw attention to cultural norms and how these norms shape our experiences of everyday life. Her work focuses primarily on Iranian cinema and the cultural specificities of communities in West Asia. She is currently working on a project that investigates the ways in which communities construct, preserve, and transform the concept of honour (namus) through objects, images, and stories.
Farzaneh warmly welcomes research students interested in Animation Studies, stop-motion animation, and video criticism. Please get in touch using the email address above. She would be very happy to discuss your project further.
Yazdandoost, F., 2026. ‘Medium-specificity in Animation’, in P. Taberham and N. Dobson (eds.), Routledge Companion to Animation, Routledge.
Yazdandoost, F., 2026. ‘The Implications of Arbitrary Motion in Puppet animation’, in C. Holiday, Performing Animation, Animating Performance: Bodies, Voices, and Spaces from Screen to Stage, Edinburgh University Press.
Yazdandoost, F., 2023. Arbitrary Motion: Accidentally On Purpose. [video essay] In: Zeitschrift Fur Medienwissenschaft. Issue 1. Available at: Arbitrary Motion: accidentally / on purpose | Zeitschrift für Medienwissenschaft.
British Association of Film, Television and Screen Studies (BAFTSS) conference (June 2024)
Realism and the Behavior of Physical Materials in Stop-motion Puppet Animation
Videography: Art and Academia: Epistemological, Political and Pedagogical Potentials of Audiovisual Practices (Hannover, 2022)
Arbitrary Motion: Accidentally On Purpose (nominated for best emerging video essayist; BFI 2023) The best video essays of 2023 | BFI)
Small Nations Animation (Nov-2022)
The influence of Ideology on Iranian Animation in Pre and Post-Revolutionary Era
Ars Electronica 2022 Conference- Linz- Expanded Animation (2022)
Synaesthetic Syntax- Drom Screen to Space: The Haptic Experience of Exhibited Animation
Society for Animation Studies Annual Conference (Middlesbrough, 2022)
Magic and Reality: The two Sides of the Same Coin
Bringing Legacy to Life, Stop-Motion conference- Animation Research Network Scotland Edinburgh College of Art (2021)
Wes Anderson’s Fantastic Mr. Fox: Quotidian textures at a close range
PhD Animation Research: Stop-Motion Aesthetic- Anglia Ruskin University (2021)
The Exhibitionist Approach of Wes Anderson in Puppet Animations
Society for Animation Studies Annual Conference: Performing Animation, Animating Performance- King’s College London (2019)
The Implications of Arbitrary Movement in Puppet Animation